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Paintings

Finches and bamboo

Emperor Huizong · early 12th century

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Finches and bamboo — Emperor Huizong
John M. Crawford Jr. Collection, Purchase, Douglas Dillon Gift, 1981 · The Metropolitan Museum of Art

Two small birds perch on bamboo. This early twelfth-century scroll is associated with Emperor Huizong, who ruled from 1100 to 1125. An artist himself, he also supported court painting. Precise observation of birds belongs here to a setting in which artistic accomplishment formed part of the ideal of a cultivated sovereign.

The upper bird turns its head to the right. Its rounded body and short feet balance on a thin branch. Feathers differ in direction and tone, especially on the wing. Small distinctions of form convey the bird’s weight and manner of perching.

The second bird sits lower and faces the opposite direction. Air remains between them, crossed by branches and leaves. Differences in height and orientation invite comparison while preserving each bird’s individuality within the shared motif.

Tiny drops of lacquer were used for the eyes, as the museum’s research records. The material’s sheen adds an actual reflection of light to the painted form. On a small scroll, this device matters especially at close range, where a minute detail can change the impression of the entire bird.

Bamboo leaves spread into pointed tips. Some overlap, while others turn edge-on. Repetition contains numerous differences. Against soft plumage, the leaves appear firmer and sharper. The painting holds distinct properties of plant and animal life within a compact area.

An old tree trunk rises at the right. Its bark opens into irregular strips, with branches extending toward the upper edge. The heavy trunk contrasts with slender bamboo and small birds. Different scales of plant life coexist, while open passages of silk keep each silhouette distinct.

No throne or courtiers represent the emperor here. The work’s association with his name recalls the court’s artistic interests. Attention to two birds can appear as an observer’s private pleasure and as an expression of a ruler’s cultural authority. A handscroll allowed close, unhurried viewing by only a few people. Today this intimate image reaches an audience no courtly object could originally gather around itself.

Medium
Handscroll; ink and color on silk
Collection
The Metropolitan Museum of Art
Dimensions
Image, 33.7 × 55.4 cm
Accession number
1981.278

Sources

Image provided under CC0. Image licence